Irresistible review

Satirist and former host of the The Daily Show, is the writer and director of Irrestible. And he doesn't stray from his talent and expertise. As it is a comedy about politics in the twenty first century.

    Irresistible starts out in 2016. Democratic political operative Gary Zimmer (Steve Carrell) has just endured a crushing upset after he tried to get Hillary Clinton elected. Yeah, you remember. It feels like ions ago but Trump won. His Republican nemesis Faith Brewster (Rose Byrne) is obviously in much better position. Gary has become despondent.

 Gary is exposed to a viral video of Jack Hastings (Chris Cooper) a former Marine, who's seen standing up for immigrants in a town hall meeting of Deerlaken, Wisconsin. Jack's a farmer who lives with his Terminator daughter Diana (Mackenzie Davis). She's is an augmented soldier, back from the future to protect Sarah Connor. And the last two sentences about the Terminator is from Terminator:Dark Fate. You see Davis was in that one and the joke fails as nobody saw that film. Sorry. Anyway, Gary decides Jack would be a great Democratic candidate who could speak to the middle of America about liberal ideas. He goes to Deerlaken to recruit him. The first election for Jack would be the mayoral contest in DeerLaken.

 Steve Carrell, Rose Byrne and the whole cast have great comic timing. It helps that Director Stewart understands comedy. I've got to give a shout out to Chris Cooper. As in any role he understands the character and plays him perfectly. I'm thinking about a couple of films I have around the house and just marvel at those performances. The Bourne Identitiy. Seabiscuit.

 Knowing Jon Stewart, I was expecting a funnier version of The Candidate (1972) with broad laughs and something to say. And the movie does have something to say. It's also pleasant in the laugh department. But it's Stewart's writing that has a big flaw. The film has a huge plot twist which I won't give away here . And Stewart hints at it in a scene but it goes by so fast that you don't think of it. Look, the audience can love a surprise. But it is so huge or yuge as Trump would say that it is a shock to the audience. And I don't mean that it in a good way. The movie moves along and the plot twist comes out of left field or make that right field depending on your political orientation.

 When you're writing a screenplay, you should show not tell. There are exceptions. Exposition is one of them. And if you're going to do some giant plot twist, you should hint at it but not so subtle that it feels as if you didn't. This foreboding applies to comedy too. Irresistible does such a bad job at setting up the twist that if feels like it came from another movie. In fact, Stewart puts an end credit interview with a real political expert to explains the plausability of the plot twist. I won't name the expert to save the surprise. But yeah, you can see how huge the plot twist was. Stewart should have put another scene setting up the twist and also have an exposition scene explaining the mechanics of the twist. Trust me, we're not talking nuclear physics here. That exposition could be like Jack watching TV and a news story explains the device that will drive the twist.

  Irresistible is not irresistible. It's got some great jokes, not enough to be gut busting funny. And the plot twist is too much of a jolt for the audience to find believable. Wait for this one to reach cable. The grade is B.